We were so excited about filming that when we figured out costuming, we jumped straight into setting up.
I'd like to thank the wonderful Tiffany Dailey for letting us film in her room, as it was the only available area we had at the time. For three days, she put up with a studio set up as we scheduled, and re-scheduled the shoot. I'd also like to thank my brother, Xavier Marin, for taking photos throughout the set up.
We continually had to adjust to accommodate to what the shot needed. Once we had the green screen as evenly lit as possible using a lighting set and multiple reflector kits, the next challenge was to keep the green screen as unwrinkled as possible in between shots. It was worth it as the keying was made much, much easier later in production.
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